A |
阿里云优惠券 先领券再下单
前言
逛站长论坛的时候，看到有有网友抱怨，“每天从早干到晚，没有收录”，“以前做网站不管收入和流量，但最起码会收录”。 但是就目前搜索引擎的尿性，收录了不给排名，你又能把他怎么样？
收录是一张门票，你想要获得搜索引擎的流量，收录这张门票必须获得。
B | 但话说回来，从早年没有出现太多平台开始，搜索引擎就是通向互联网的大门。
C | 而后个大厂拥抱移动互联网后，都学会了把流量握在自己手中。
D | 难道真的就必须做收录了？？？
分头行动
我在很久以前也写过一些SEO相关的文章，比如下面几篇
- 没有SEO的DiscuzQ 值不值得站长选择？
- 再入SEO怪圈，到如今依然不明白建站的意义
- 现代SEO：让搜索引擎抓取一半的内容
有兴趣的可以去看看。 South Korea has steadily built a reputation for creating some of the most inventive and spine-chilling horror films. If you are thinking of simple jump scares, you are in for a lot! Simply put, K-horror thrives on atmosphere, folklore, psychological complexity and a uniquely Korean blend of tragedy and terror. These films pull you in with stylish direction and layered storytelling. Interestingly, they leave you thinking about their implications long after you’ve locked all your doors and switched on every light in the house.If you’re ready for a guided tour through Korea’s most unforgettable nightmares, here are ten of the best Korean horror movies for you to watch with your lights on.
In This Article
1. A Tale of Two Sisters (2003)2. The Wailing (2016)3. Train to Busan (2016)4. I Saw the Devil (2010)5. Gonjiam: Haunted Asylum (2018)6. Thirst (2009)7. The Host (2006)8. The Call (2020)9. Whispering Corridors (1998)10. The Piper (2015)1. A Tale of Two Sisters (2003)
Kim Jee Woon’s gothic psychological horror remains a benchmark for modern Korean cinema. Loosely rooted in an old Joseon-era folktale, the story revolves around two sisters who return from a mental health facility only to encounter escalating tension with their cold and unpredictable stepmother. From its dreamlike cinematography to its suffocating atmosphere, the film invites viewers into a labyrinth of memory, trauma and hallucination. Instead of spelling things out, it asks you to piece together the truth.
2. The Wailing (2016)
If A Tale of Two Sisters is a fairy-tale nightmare, The Wailing is a sprawling supernatural epic disguised as a crime drama. It is set in a quiet mountain village that is plagued by bizarre illnesses and gruesome murders. The film follows an overwhelmed police officer who becomes embroiled in a series of events involving shamans, demons and eerie strangers. Director Na Hong Jin blends spiritual mythology with real world dread. The Wailing isn’t just scary; it is unsettling in a way few films dare to be.
3. Train to Busan (2016)
Zombie films may feel overdone, but Train to Busan revitalises the genre globally. It is set almost entirely aboard a high-speed train, as the story begins with a viral outbreak that transforms commuters into ravenous undead within minutes. What elevates the film isn’t just the tight, breathless action choreography but its emotional core. At its centre is a father trying to reconnect with his young daughter and their evolving bond anchors the chaos around them. The characters are well drawn, the social commentary is sharp, and the pacing is absolutely relentless. It is a perfect example of how Korean filmmakers turn genre films into human stories.
4. I Saw the Devil (2010)
Not for the faint-hearted, as I Saw the Devil blurs the line between horror and thriller. A secret agent embarks on a mission of revenge after his fiancée is murdered by a sadistic serial killer. Now a cat-and-mouse chase begins that becomes a brutal story of vengeance. The film is horrifying because of the killer’s cruelty and the protagonist’s descent into moral corruption. It comes with slick cinematography and Kim Jee Woon manages to keep the audiences hooked with nerve-shredding tension. The violence is graphic and chilling, to say the least.
5. Gonjiam: Haunted Asylum (2018)
This movie explores the lives of a group of young content creators. They visit an abandoned psychiatric hospital to livestream their investigation for views and sponsorship money. At first, it feels like a mischievous reality-TV stunt. It is complete with pranks planned to scare the audience. But once the group begins exploring deeper into the asylum, the pranks give way to very real and very terrifying phenomena. The film’s shaky-cam style makes each moment feel immersive and real. Also, its exploration of the internet culture adds a modern twist to the haunted-asylum trope.
6. Thirst (2009)
Park Chan Wook’s Thirst is a vampire film unlike any other. The reasons being that it is sensual, tragic, darkly funny and unexpectedly philosophical. The story follows a devoted priest who becomes a vampire after volunteering for a medical experiment intended to save lives. The priest is suddenly torn between his religious convictions and his bloodthirsty new instincts. He begins an affair that spirals into guilt, violence and moral decay. As always, Chan Wook's visual flair elevates the film. Also, the movie does not rely on typical vampire cliches clichés. It uses the supernatural to examine human weakness and spiritual conflict.
7. The Host (2006)
Though often labelled a monster movie, The Host is far more sophisticated than that simple description suggests. It is directed by the globally acclaimed Bong Joon Ho. But interestingly, this movie released before Parasite. It follows a dysfunctional but deeply loving family fighting to rescue their daughter from a mutated river creature that rises from Seoul’s Han River. The monster is frightening enough, but what sets the film apart is its blend of horror, political satire and heartfelt family drama. Bong uses the creature as a metaphor for Government failure, environmental negligence and societal indifference. It’s thrilling, funny, emotional and terrifying all at once.
8. The Call (2020)
A more recent addition to the Korean horror canon, The Call combines time-travel elements with psychological horror. The premise centres on two women living decades apart but connected through a mysterious telephone line. It starts as an unusual friendship, but it quickly turns nightmarish when one of the women uses their link to manipulate the timeline. She gives way to her own violent impulses. The film escalates at a breakneck pace. It blends sci-fi, thriller and horror into a uniquely chilling ride. Its unpredictable twists and menacing energy keep viewers on edge until the final seconds.
9. Whispering Corridors (1998)
A landmark in the revival of Korean horror during the late 1990s, Whispering Corridors is set in an elite all-girls school where mysterious deaths spark rumours of ghosts roaming the hallways. While it functions as a supernatural mystery, the film also critiques the pressures and abuses embedded within Korea’s academic system. Its success spawned a long-running anthology franchise, but the original remains the most impactful, thanks to its eerie atmosphere and emotionally charged storytelling. The school setting, with its empty classrooms and locked corridors, becomes a perfect stage for terror.
10. The Piper (2015)
Inspired by the classic legend of the Pied Piper, this folk-horror gem is set in the aftermath of the Korean War. A wandering piper and his son arrive at a remote village plagued by a rat infestation. At first welcomed, he is soon betrayed by the superstitious villagers. It leads to one of the most chilling revenge arcs in Korean horror. It begins as a quiet and almost pastoral drama. Then it slowly transforms into a grotesque and poetic retribution. The film’s unsettling tone, creepy creature design and moral lessons make it a standout for fans of folklore-based horror.One thing is for sure, Korean horror doesn't simply aim to shock. It often reflects deep-rooted cultural anxieties about family expectations, social hierarchy, Government mistrust, colonial trauma, religious conflict and the wounds left by rapid modernisation. Ghosts in Korean cinema are rarely just monsters. They are symbols of unresolved guilt or injustice. Monsters represent societal failures. Revenge stories become meditations on morality. Even zombie films carry emotional weight.Stylistically, K-horror thrives on atmosphere. Directors take their time setting up tension, focusing on mood, character psychology and beautiful-yet-ominous visuals. The result is a mix of artful storytelling and gut-wrenching fear that resonates with global audiences.Also Read: Inspection Bungalow Review: A Quirky Horror Comedy That Fumbles Its Final Stretch。（注：文章的时间，因为之前使用了一款插件将几年前的文章重新更新推送了一下） 上门的文章从需不需要SEO到如今的SEO怎么办，都有个人的小小见解。自从去年把手里的域名该卖的卖，网站该关的关。也认识到搜索引擎给网站站长们的流量越来越少，加上AI的崛起，包括我自己问问题都是问豆包和deepseek，百度一般都很少在进入，除非确实搜索一些技术的问题。 事情已经摆在面前了。所以是时候分头行动了。
E |
矩阵
这个词语当时不知道是哪个职场天才起的，看着挺高端，
我来给大家翻译翻译：就是市面上所有的流量平台都开通账号同步更新。 这样不管在哪个平台都能被人看到。但是唯一的问题就是工作量增加。 如：抖音/快手/bilibili/微博/微信公众号/小红书/今日头条/西瓜视频....... 所有的都来一套。
F | 不难看出，当年百度作为中国唯一的互联网入口，变成了现在很多的小入口，可谓相当专精。
G | 如果搜索引擎这条路很难走，不妨换一条路来走一下，说不定这些平台获得的流量更加的精准和高效。
话分两头
但是话说回来，如果去做其他平台，约束肯定会有的，比如我的百家号现在都没有解封。 而我为什么这么多年依然保留做一个博客啊什么的来写写东西，就是不想被平台所约束，当然如果你违规，平台一样给你限流。
H | 这样大体还是成了无用功。
I | 所以关于SEO我们就保持平常心态，收不收录其实已然不重要，因为其他平台我们都有账号。都可以获得流量。
结语
其实说的这些大家都懂，而且就矩阵这个早5年前我就有接触了，以前做门户的时候，各个平台都有入口。但是实际上操作起来相当恼火。 而且像我们这种个人站长，平台还有其他工作，基本上是发布了就不再维护了。 因为各个平台都不能互通，所以你也不能第一时间看到用户的反馈。 总体来说：平台太多了。 本文由绵阳人才网原创，转载请注明出处：www.myzpw.com
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